Songs We Love
Memory Cloth Circle
August 17 - October 31
Oakwood Village West
6205 Mineral Point Road
Madison, WI 53705
(608) 230-4699
Songs We Love
Memory Cloth Circle
August 17 - October 31
Oakwood Village West
6205 Mineral Point Road
Madison, WI 53705
(608) 230-4699
Respect
Cottons, cotton napkin, embroidery thread, beads, buttons, jewelry finding
Terry Lichtenfelt
Bill’s Favorite Songs
Hand-pieced and hand quilted nap quilt made from Bill’s old summer cotton shirts, commercial embroidery floss, and cotton thread hand dyed by Leslee Nelson
Bobbie Malone
My husband, Bill C. Malone, is a historian and ardent fan of American country music. His selections range from those he heard his mother singing to more contemporary works, all chosen for being beautifully written and, in many cases, have proven personally meaningful over the many years of his life.
BILL’S FAVORITE SONGS
1 I’ll Be All Smiles Tonight - Louvin Brothers
2 My Mary - Merle Haggard
3 Pictures from Life’s Other Side - Blue Sky Boys
4 Til I Can Gain Control Again - Rodney Crowell
5 What About You? - Johnny and Jack
6 The Last Letter - Rex Griffin
7 Wreck of the Edmund Fitzgerald - Gordon Lightfoot
8 They’ll Never Take Her Love from Me - Hank Williams
9 Jack and May (Lovers Quarrel) - Stanley Brothers
10 Hungry Eyes - Merle Haggard
11 Teardrops Falling in the Snow - Molly O’Day
12 Drifting Too Far from the Shore - Boone Creek
13 Pretty Polly - Ralph Stanley & Patty Loveless
14 It Makes No Difference Now - Gene Autry
15 Little Green Valley - Dalhart & Robison
16 Take Me as I Am - Jimmy Dickens
17 No One Will Ever Know - Roy Acuff
18 Waiting for a Train - Jimmie Rodgers
19 Night Rider’s Lament - Suzy Bogguss
20 Empty Cot in the Bunk House -
You can hear all these songs on WORT Archive until Sept 7, 2021
Scroll to August 25 - Back to the Country (celebrating his 87th Birthday)
https://archive.wortfm.org
Where Have All the Flowers Gone?
Recorded by Pete Seeger
Vintage napkin and coaster, dimensional fabric flowers by my friend Terry, tatting, lace, beads, buttons, and sequins
Suzy Roth
The year was 1971 and I loved my second grade teacher. She was a beautiful hippie who played the ukulele. She taught us to sing popular folk songs of the era. As a young child, I did not understand the countercultural significance of the lyrics.
Cole Porter Favorites: Night and Day, Anything Goes, I Get a Kick Out of You
Bead embroidery
Linda Check
How Great Thou Art
Embroidery on vintage linen
Ann Engelman
This hymn was a favorite of my grandmother, Reka Jeckel, Delevan, Illinois.
“How Great Thou Art” is a hymn based on a Swedish melody and a poem written by Carl Boberg in Sweden in 1885. The inspiration for the poem came when Boberg was walking home from church listening to church bells. A sudden storm got Boberg’s attention, and then just as suddenly as it had made its appearance, it subsided to a peaceful calm.
O Lord, my God, when I in awesome wonder
Consider all the worlds Thy Hands have madeI see the stars,
I hear the rolling thunder
Thy power throughout the universe displayed
Then sings my soul, my Saviour God, to Thee
How great Thou art, how great Thou art
Then sings my soul, my Saviour God, to Thee
How great Thou art, how great Thou art.
My Way
Cotton fibers, Ecofelt
Donna Sereda-DeNovo
I completed this embroidery back in the early 1970s, but it never had a title and was never properly finished. Preparing for this show spurred me to remedy that situation. “My Way” seemed like the perfect title. Everyone is familiar with the song popularized by Frank Sinatra in 1969. But did you know that the lyrics were written by Paul Anka? He set those lyrics to music written by Frenchmen Claude François and Jacques Revaux in 1967 (“Comme d’habitude”). Anka never sang the song; he gave it to Sinatra, whom he felt was the right person to record it.
Have Yourself a Merry Little Christmas
Cotton and linen, metallic thread, metal and plastic embellishments, wool felt
Donna Sereda-DeNovo
“Have Yourself a Merry Little Christmas” was composed by Hugh Martin and lyricist Ralph Blane for Judy Garland in MGM’s 1944 musical “Meet Me in St. Louis.” It has remained hugely popular ever since. One of my favorite songs at Christmas time, I particularly likeslow, jazzy, instrumental versions. Note that the rabbit and chickadee have spelled “Peace” using seeds and twigs. The image attempts to capture the gentle, sweet nostalgic feeling of the song.
Hello Stranger
Collage on canvas, embroidery, beads, and found object
Laurie Hall
The first time he invited me to his home to cook for me, he had Barbara Lewis’ song cued up to play as I came through the door. When I heard”...seems like a mighty long time”, I knew he was the one.
Feelin’ Groovy
Denim, Sharpie dyed cotton, beads, metallic and cotton embroidery floss
Marsha Alderman
I have a very distinct memory of dancing “The Freddie” to this song with my next door neighbor. The song and dance came out in the mid 60’s, before the Summer of Love. We were preteens but very into hip- pie culture. (Yes, we wore embroidered bell bottoms, tie-dyed shirts and bandana belts.) This piece is a tribute to innocence and youthful exuberance.
Juls
Vintage linens
Marsha Alderman
My parents had a trivet which said “Wherever you wander, wherever you roam, be happy and healthy and glad to come home.” As kids, my BFF (pictured) and I made a song out of it and would take her boat out to the middle of the lake and sing it at the top of our lungs. This piece is an homage to Juls and the idyllic summers of our youth.
Good Vibrations
Composed by Brian Wilson, lyrics by Mike Love,
released by the Beach Boys, 1966
Fabrics and machine embroidery
Evelyn Kain
An example of psychedelic, sunshine pop, Wilson spliced the song together from over 90 hours of magnetic recording tape. It features the Electro-Theremin played by its inventor Paul Tanner.
The preprogrammed embroidery patterns on my mother’s Singer Touch-Tronic 2010 Memory Machine of 1984, one of the first computerized sewing machines, make perfect vibrations.
You’ve Got a Friend
Written by Carole King, 1971
Fabrics and embroidery threads
Evelyn Kain
You just call out my name, and you know wherever I am,
I’ll come running to see you again.
The isolation of the Covid Era and nostalgia for the Before Times makes many of us long for the assurance of warm, deep, loyal, long- lived friendships.
Australian Aborigine painting inspired the embroidered ovals. They bring me back to when my son Nico and his friends, Tom, Pete and Joe, were inseparable, as only kids in early grade school can be.
We Are the World
Written by Michael Jackson and Lionel Richie, recorded by USA for Africa, 1985
Fabrics, embroidery thread and polyester fiber fill
Evelyn Kain
The song is a charity single performed by dozens of singers. The over-lapping “children” suggest the layering of voices as well as the idea of world unity expressed in the lyrics. Varied shapes, lively patterns and bright colors support the idea that diversity can “make a better day for you and me.”
Richie, along with others, created a Covid-19 video version for the season finale of American Idol that features singers’ faces superimposed on once crowded American landmarks emptied by the pandemic in 2020.
YMCA
Written by Jacques Morali and Victor Willis,
released by the Village People, 1978
Fabrics and polyester fiber fill
Evelyn Kain
YMCA stands for Young Men’s Christian Association which provided affordable hotel rooms for men in big cities in the 1960s and 1970s.
A disco dance tune, it became an anthem for the gay community, and then for sports fans: in 2008, 44,000 people acted out the letters in arm movements at a live performance at the Sun Bowl. These letters are dancing to the tune, too!
Happy
Written, produced and performed on video by Pharrell Williams
Fabrics, embroidery thread, fabric paint and polyester fiber fill
Evelyn Kain
Here I tried to coordinate elements of the song to the piece. Speech balloons are embroidered with lines of text. Repeated lyrics share the same fabric pattern: “Because I’m happy!”, “Clap along”, “ if you feel”. The two lines that don’t repeat each have their own pattern:“Like a room without a roof” and “Like happiness is a truth.” Rows of “Happy” in red and yellow fabric paint on the potholder represent the backup track.
An uptempo neo-soul song first released in 2013, Happy was the favorite tune of John Lewis, caught dancing on YouTube in 2018.
Daisy Bell, Henry Dacre, 1892
Gingham, felt, cotton fabrics, embroidery threads, zipper, fabric flowers
Evelyn Kain
My mother sang this to me!
Daisy, Daisy, Give me your answer, do,
I’m half crazy all for the love of you,
It won’t be a stylish marriage, I can’t afford a carriage,
But you’ll look sweet upon the seat of a bicycle built for two.
Don’t Worry, Be Happy #2
Bobby McFerrin, 1988
Fabrics, embroidery thread, bias binding, rickrack, buttons
Evelyn Kain
In this version, it’s the primary colors that trigger happiness!
More good advice!
Cause when you worry your face will frown
And that will bring everybody down
Don’t Worry, Be Happy #1
Bobby McFerrin, 1988
Fabrics and embroidery thread
Evelyn Kain
This song has good, everyday advice. Its music makes me so happy that I made two versions, this one a multitude of French knots.
In every life we have some trouble,
But when you worry, you make it double.
Over the Rainbow
A ballad composed by Harold Arlen with lyrics by Yip Harburg written for the 1939 film The Wizard of Oz and sung by Judy Garland.
Fabrics, machine and hand-embroidery, lace, yo-yo’s stuffed with polyester fill, metal star
Evelyn Kain
Some day I’ll wish upon a star
And wake up where the clouds are far behind me.
The words capture the longing for a peaceful world in troubled times.
Key elements: the wishing star, yo-yo clouds and a lace-edged pocket behind the embroidered “Somewhere” showing that the place “over the rainbow” can truly be found!
My favorite version, 1990, is by Israel Kamakawiwoʻole, aka IZ, a na- tive Hawaiian singer-lyricist and activist.
Fields of Gold
Machine pieced & quilted using hand dyed and batik cottons, satin and set into vintage linen. Bead embroidery with pearls, wood, glass and metallic beads using hand dyed, metallic and rayon threads as well as silk ribbon.
Nancy E. Schmitt
This version of the song, “Fields of Gold”, written by Sting and re- corded by Eva Cassidy reminds me of the fields I like to walk through surrounding my home in Wisconsin during harvest time in Autumn.
Famous Blue Raincoat
This is a mini-quilt, 17”x21”.
The lyrics are done in freehand hand embroidery on cotton.
Jane Pearlmutter
“Famous blue raincoat” by Leonard Cohen. I love this song because it’s a letter that’s a song but practically a novel within these lines.
Spring Rain
Hand & machine pieced, machine quilted, hand & machine appliqued, beading, fabric folding and sashiko. In addition to batiks and cottons, I used sueded and patterned upholstery for the background of this piece and velvet upholstery for the branches and binding for added texture.
Nancy E. Schmitt
“Look of Life, the birds are out again I can feel a change upon the wind The color of the sky and
The sound of the rain
Coming down, down, down”
Excerpt from the song, “Spring Rain”, by Oscar Dunbar
Something to Talk About
Raw edge applique on vintage linen.
Embellished with beads and embroidery using hand dyed cotton,
metallic & rayon threads and yarn.
Nancy E. Schmitt
Recorded by Bonnie Raitt in 1991. Written by Shirley Eikhard.
A fun Blues Rock song about realizing love.
Feels Like Home
Machine foundation-pieced & quilted. Embellished with beads, charms, hand dyed threads and silk ribbon.
Nancy E. Schmitt
While piecing this quilt in a class, it reminded me of the song, “Feels Like Home”, written by Randy Newman